Guide Thugs and Why Women Should Run From Them

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We ladies, as the stereotype goes and, actually, as a decent amount of empirical research suggests , tend to be more collaborative in work and leadership, more empathetic, and much, much less violent on an individual level than men. To the extent that global problems like violence and inequality are actually failures of empathy, perhaps global gynecocracy produces a genuinely different, better world.

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A truly matriarchal world, then, would be less prone to conflict and more conciliatory and cooperative than the one we inhabit now. Over the long sweep of history, women have been, and will be, a pacifying force. All good—and kind of flattering! But do biological or psychological differences between men and women translate to differences in how women might run countries?

Harish of New York University, found that in Europe between the 15th and 20th centuries, queens were more likely to participate in interstate conflicts than kings were. In 20th-century electoral democracies, as Pinker and Fukuyama both noted, female leaders have indeed waged war. Indira Gandhi, Golda Meir, Margaret Thatcher, and Chandrika Kumaratunga may well have been personally compassionate, yet thousands of soldiers killed and were killed on their orders.

In Hillary Clinton, the United States may get its first female president this year. Last year, the Pew Research Center noted that the number of female national leaders globally had doubled in the decade since —to a whopping 18, meaning that less than 10 percent of UN member states are headed by women. If the assumption that women are more peaceful makes voters consider them unqualified to lead in wartime, women would be more likely to get into leadership positions under peaceful conditions in the first place.

In the meantime, we can speculate about indirect benefits based on what we do know. On the other hand, female leaders could just as easily have different foreign-policy priorities—like, say, European integration, or the migrant crisis, or green energy. A telling moment came in the aftermath of the U. But Jalazai wonders whether expectations like these may hurt women in the end.

In the United States, for example, the Pew Research Center last year found that adult respondents, by a margin of 34 percent to 9 percent, thought female politicians were better than male ones at compromise; 34 percent thought women were more honest and ethical, versus 3 percent who thought men were.

In the seventies, screaming hard rock was in fashion among young whites, while sweet, sinuous funk and soul ruled the black airwaves—a difference I was proud of. But in the eighties, rock quieted down, and black music became the assault on the ears and soul. Hip-hop exploded into popular consciousness at the same time as the music video, and rappers were soon all over MTV, reinforcing in images the ugly world portrayed in rap lyrics. Video after video features rap stars flashing jewelry, driving souped-up cars, sporting weapons, angrily gesticulating at the camera, and cavorting with interchangeable, mindlessly gyrating, scantily clad women.

Keeping the thug front and center has become the quickest and most likely way to become a star. Cops charged Combs with possession of a deadly weapon in In , he faced charges for assaulting a rival record executive.

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Several prominent rappers, including superstar Tupac Shakur, have gone down in hails of bullets—with other rappers often suspected in the killings. Current rage 50 Cent flaunts his bullet scars in photos; cops recently arrested him for hiding assault weapons in his car. Of the top ten hip-hop sellers mentioned above, five have had scrapes with the law.


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The final brawl, involving up to people in the audience and spilling over onto the stage, shut the ceremony down—right after a video tribute to slain rappers. Small wonder a popular rap website goes by the name rapsheet. Some defended blaxploitation pictures as revolutionary, too, but the passage of time has exposed the silliness of such a contention. But win what?

The idea that rap is an authentic cry against oppression is all the sillier when you recall that black Americans had lots more to be frustrated about in the past but never produced or enjoyed music as nihilistic as 50 Cent or N. On the contrary, black popular music was almost always affirmative and hopeful.

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And it has vociferously protested the affixing of advisory labels on rap CDs that warn parents about the obscene language inside. I think that response is too easy. In fact, I would argue that it is seriously harmful to the black community. The rise of nihilistic rap has mirrored the breakdown of community norms among inner-city youth over the last couple of decades. By the eighties, the ghetto had become a ruleless war zone, where black people were their own worst enemies.

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Almost all hip-hop, gangsta or not, is delivered with a cocky, confrontational cadence that is fast becoming—as attested to by the rowdies at KFC—a common speech style among young black males. O n a deeper level, there is something truly unsettling and tragic about the fact that blacks have become the main agents in disseminating debilitating—dare I say racist—images of themselves.

Always has and always will.

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Today, even as television and films depict blacks at all levels of success, hip-hop sends the message that blacks are. Hit your block with a Glock, clear the set with a Tech. They point to the Godfather movies or The Sopranos as proof that violence and vulgarity are widespread in American popular culture, so that singling out hip-hop for condemnation is simply bigotry. Yet such a defense is pitifully weak.

No one really looks for a way of life to emulate or a political project to adopt in The Sopranos. But for many of its advocates, hip-hop, with its fantasies of revolution and community and politics, is more than entertainment.

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It forms a bedrock of young black identity. That whites buy more hip-hop recordings than blacks do is hardly surprising, given that whites vastly outnumber blacks nationwide. A young black man entered the car and began to rap loudly—profanely, arrogantly—with the usual wild gestures.

This went on for five irritating minutes. When no one paid attention, he moved on to another car, all the while spouting his doggerel. This was what this young black man presented as his message to the world—his oratory, if you will. They created the world of equality, striving, and success I live and thrive in.

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Send a question or comment using the form below. This message may be routed through support staff. More detailed message would go here to provide context for the user and how to proceed. City Journal search. City Journal is a publication of Manhattan Institute. Search search. Experts Hea ther Mac Donald. Topics Hea lth Care. Close Nav Search Close Search search. It depicted ghetto life as profoundly desolate: You grow in the ghetto, living second rate And your eyes will sing a song of deep hate.

Die, die, die pig, die! Fuck the police!